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UDTA TEER REVIEW: STAR CAST DISAPPOINTS
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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY
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(NOT) A FORGOTTEN FREEDOM FIGHTER OF GOA
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THE FIRST FILM: CINEMA, FREEDOM, DESIRE
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WHEN A SCOOTER BRINGS MOTHER BACK
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IRRFAN: THE ART OF UNDERSTATED ACTING
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MARG@80 CELEBRATES INDIA’S ARTISTIC HERITAGE
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THE RURAL BOY WHO BECAME A LITERARY ICON
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PRAHAAR REVIEW: JUSTICE AND HEROISM
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BIRDS IN THE DARK REVIEW
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Usha Dixit talks television
Aparajita Krishna singles out one of her most reticent but accomplished colleagues from the past, Usha Dixit, and ropes her in for a stunning conversation. Writer Us...
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When care becomes a nightmare…
A sinister drama brings alive the terror of care and its corporate nightmarish possibilities, writes Janaky Sreedharan That tagline of concern ‘take care&...
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This is what we voted for!
I woke up this morning to another depressing set of news headlines, writes Anupama Mandloi Each news article brings with it anxiety and doubt. 'Should I trust this as credi...
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Those Guilty Pleasures
Film historian Dhruv Somani, writes on those traditional mandatory things we sorely miss in the movies today. For the most part, New Age Bollywood has realized the importan...
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A genius having mastered many arts: Satyajit Ray
Humra Quraishi revisits the auteur Satyajit Ray’s life on the eve of his hundredth birth anniversary Satyajit Ray’s hundredth birth anniversary comes close; wha...
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The Joy of Photography
Khalid Mohamed in conversation with multi-media professional, indie-filmmaker and still photographer Arin Paul on how to see through the naked eye and grab the moment. Quit...
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Jai Siya Ram…
Vinta Nanda deconstructs gender inequalities in context to the toxic sexism, which Mamata Bannerjee was subjected to on the political playground recently. I woke this morni...
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Reimagining Ambedkar
Ambedkar appears in many different ways in the ordinary life of Dalits, writes Badri Narayan Educated followers read his texts and use his arguments and visions for t...
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The narrative doesn’t hit home: Tangra Blues
Acclaimed documentary filmmaker Supriyo Sen’s debut feature never quite hits the narrative highs, existing in the zone between good visual documentation and tepid storyt...
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Reflecting humanity through the struggle of a woman: Federico Fellini
Much before he made 8 ½, Federico Fellini, the Italian master, had honed his neo-realist pursuits, writes Sharad Raj. Nights of Cabiria (1957), is Fellini&rsq...
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