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UDTA TEER REVIEW: STAR CAST DISAPPOINTS
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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY
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(NOT) A FORGOTTEN FREEDOM FIGHTER OF GOA
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THE FIRST FILM: CINEMA, FREEDOM, DESIRE
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WHEN A SCOOTER BRINGS MOTHER BACK
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IRRFAN: THE ART OF UNDERSTATED ACTING
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MARG@80 CELEBRATES INDIA’S ARTISTIC HERITAGE
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THE RURAL BOY WHO BECAME A LITERARY ICON
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PRAHAAR REVIEW: JUSTICE AND HEROISM
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BIRDS IN THE DARK REVIEW
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Salty and Spicy
Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982). A lonely house looks so dilapidated that only some miracle seems to be ...
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DOES WATCHING ART-HOUSE CINEMA RAISE YOUR SOCIAL STATUS?
Now that the Kolkata Film Festival is done and dusted, Monojit Lahiri does a checkout on this contentious issue. It was a good, grounded and witty friend who, pos...
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Kicking off pride month at Liberty Cinema on June 1st
South Asia’s biggest LGBTQIA+ film festival, KASHISH 2022, will screen 184 films from 53 countries in its hybrid festival, reports The Daily Eye Newsdesk Th...
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Does art have a religion?
Recently there was a row over a Muslim Dancer named Mansiya, not being allowed to perform at a Kerala temple. Artists from various fields discuss with Monarose Sheila Per...
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M.L. Jaisimha! Memory Re-Play From Family Pitch!
Aparajita Krishna recollects memories of the cricket great M. L. Jaisimha through his family and friends and presents the legend here for you. I salute my daring for having a...
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The Soul Of Hindustan
Today Humra Quraishi brings alive the beauty of great urdu poetry translated by Sanjiv Saraf and flows to the soulful strains of Drupad that led to her meeting with the amazin...
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Those Haunting Melodies
Film historian Dhruv Somani, laments the end of the melody-laden songs of the suspense-packed whodunits, which enthralled right from the days of Aayega Aanewala in Mahal (1949...
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NO ONE KILLED PALAN
On the birth anniversary of legendary director Mrinal Sen, Shantanu Ray Chaudhuri looks at his masterpiece Kharij and Mrinal Sen’s Unflinching Exposé of Middle-Cl...
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