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UDTA TEER REVIEW: STAR CAST DISAPPOINTS
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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY
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(NOT) A FORGOTTEN FREEDOM FIGHTER OF GOA
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THE FIRST FILM: CINEMA, FREEDOM, DESIRE
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WHEN A SCOOTER BRINGS MOTHER BACK
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IRRFAN: THE ART OF UNDERSTATED ACTING
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MARG@80 CELEBRATES INDIA’S ARTISTIC HERITAGE
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THE RURAL BOY WHO BECAME A LITERARY ICON
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PRAHAAR REVIEW: JUSTICE AND HEROISM
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BIRDS IN THE DARK REVIEW
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When Atul Met the Movies
Khalid Mohamed in conversation with India’s prime, contemporary artist, Atul Dodiya, on his unbreakable bond with art and cinema. Quite symbiotically, the film image ev...
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The Singing, Forgetful Detective
Hoichoi’s first offering of the New Year is a Ritwick Chakraborty show all the way, writes Shantanu Ray Choudhuri Move over Feluda and Byomkesh. There’s a new &ls...
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“Who says only Bollywood songs are gold?!” – Gulzar
As Bollywood’s undisputed Poet Laureate moves from strength to strength, Monojit Lahiri recalls some amazing conversations with a dear, cherished and hugely respected fr...
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Revisiting Mani Kaul’s Mini-series Ahmaq
Devdutt Trivedi writes that in Ahmaq, Kaul wanted to underline the symbiotic relationship between Hinduism and Islam. The critics and audience alike, largely rejected Mani Ka...
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Starring Leela Mishra & Kanhaiyalal
Aparajita Krishna talks to eminent members of the film industry and Indian theater to explore how Leela Mishra and Kanhaiyalal figure in India’s cine-memory 2022. Film ...
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The Unpretentious Star
She was the underdog of her time. Yes, Reena Roy was one of the top actresses who let her work talk rather than her other activities, writes Dhruv Somani. She was born as Sa...
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Bully Bai and the mainstreaming of hate
Humra Quraishi questions hate politics and the utter disregard for the Constitution of India by the fringe that is being mainstreamed aggressively. It’s horrifyin...
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Our Film Festivals: Tamashas or reality checks
Monojit Lahiri investigates whether our film festivals are arty time-pass or educative game changers. First things first: To the general public, Film Festivals are gen...
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Making films is my coping mechanism: Shabnam Sukhdev
Here’s Vinta Nanda in conversation with documentary filmmaker Shabnam Sukhdev, who just completed her short film titled ‘Unfinished’ while completing her Mas...
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Shifting Paradigms: Malayalam Cinema
Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam cinema. In the first decade of th...
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