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UDTA TEER REVIEW: STAR CAST DISAPPOINTS
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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY
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(NOT) A FORGOTTEN FREEDOM FIGHTER OF GOA
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THE FIRST FILM: CINEMA, FREEDOM, DESIRE
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WHEN A SCOOTER BRINGS MOTHER BACK
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IRRFAN: THE ART OF UNDERSTATED ACTING
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MARG@80 CELEBRATES INDIA’S ARTISTIC HERITAGE
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THE RURAL BOY WHO BECAME A LITERARY ICON
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PRAHAAR REVIEW: JUSTICE AND HEROISM
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BIRDS IN THE DARK REVIEW
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Bollywood
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Of the People
Khalid Mohamed writes on why he could never attempt a biography or documentary on his mentor and first employer, Basu Chatterji, whose second death anniversary was last week. ...
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Touch of Class
As Dimple Kapadia’s birthday approaches on June 8, film historian Dhruv Somani tracks how she has made strong fashion statements over the decades. Her beautiful eyes an...
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MY RK STORY
Once, Raj Kapoor rescued a mugged journalist from being stranded in New York. Khalid Mohamed recounts that personal story. It will be his 32nd death anniversary on Thursday, ...
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MERE PAAS MAA - SORRY, MOM HAI!!
Has ‘Hey Mom’ replaced ‘Mataji’ in B-town? On Mother’s Day, Monojit Lahiri discusses the changing face of ‘Maa’ in tinsel t...
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Grandma Dearest
Film historian Dhruv Somani pays homage to the uncanny life and career of Leela Mishra, the ever-lovable grandma of Indian cinema. She was just seventeen. And her life brimme...
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SMOOCH: Bollywoods Shaky Affair With The Kiss?
Monojit Lahiri investigates ‘the kiss’ in Bollywood cinema and the reasons why it has barely transcended the coochie-cooing birds and swaying flowers to awkward sn...
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AMITABH BACHCHAN AND THE ANGRY YOUNG MAN
One of the biggest box-office failures of the superstar’s career, Alaap boasts one of his subtlest performances and, arguably, the best musical score in an Amitabh Bachc...
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The Rekha Mystique
Khalid Mohamed escorts us back to an up-close-and-personal interview with the eternally enigmatic Rekha Anytime is Rekha time. Characteristically, she has kept a lower-than-l...
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The Natural
Khalid Mohamed harks back to an interview with Jaya Bachchan on the art and craft of acting during her heyday under the helmsmanship of pre-eminent directors. She’s an ...
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