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UDTA TEER REVIEW: STAR CAST DISAPPOINTS

Udta Teer, starring Ayushmann Khurrana and Sara Ali Khan, attempts to turn Indo-Pakistani espionage into a farcical comedy. Reviewed by...

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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY

Arnab Banerjee reviews Karan Rawal’s Tu Hai Meri Kiran, a science-fiction thriller about obsessive love that st...

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PRAHAAR REVIEW: JUSTICE AND HEROISM

Prahaar examines Ujjwal Nikam’s role in landmark terror trials, championing due process while struggling to humanise its protagonist. Read More

DURGA PUJA: FAITH MEETS COMMERCIALISM

Monojit Lahiri examines how Durga Puja has evolved from an intimate religious celebration into a high-profile spectacle shaped...

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BEYOND THE VOICE, SHIBANI KASHYAP

She Was Called "Just a Singer" Until She Wasn't... Sushmita Chaudhary reviews Shibani Kashyap's podcast with Sushma Gaikwad, a...

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NANA PATEKAR: THE ACTOR UNFORGETTABLE

Nana Patekar, one of Indian cinema’s most powerful actors, leaves behind an extraordinary legacy across Hindi and Marathi cinema,...

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YASH CHOPRA: BOLLYWOOD’S TIMELESS MAJNU

Monojit Lahiri remembers Yash Chopra, Bollywood’s quintessential romantic filmmaker, whose films transformed love, longi...

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DRISHYAM CONCLUSION: TRUTH, DECEPTION, SURVIVAL

The final Drishyam chapter returns to Vijay Salgaonkar’s world of lies, memory and moral ambiguity, writes Arnab Banerjee, Read More

HRISHIKESH MUKHERJEE AND EVERYDAY CINEMA

Remembering the timeless creator of…BABUMOSHAI, on his 104th birth anniversary: September 30th! Monojit Lahiri pays homage to th...

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HAS BOLLYWOOD FORGOTTEN SCREEN LOVE

Today, with crime nationalism, and action calling the shots has love vanished from the screens? Monojit Lahri investigates the fading l...

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