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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY

Arnab Banerjee reviews Karan Rawal’s Tu Hai Meri Kiran, a science-fiction thriller about obsessive love that st...

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SANJIB SABHAPANDIT: PURPOSE-DRIVEN CINEMA

Sanjib Sabhapandit is in conversation with Utpal Datta about Assamese cinema, purpose-driven filmmaking, cultural identity, audience re...

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THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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INDIAN DIASPORA CINEMA SHINES GLOBALLY

The ninth India International Film Festival of Boston concluded with 48 films across 12 languages, celebrating independent cinema, Read More

TOXIC REVIEW: AMBITION WITHOUT ARRIVAL

Dr Piyush Roy examines Toxic: A Fairy Tale for Grown-Ups, exploring Geetu Mohandas and Yash’s visually ambitious gangste...

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THE DEPARTURE OF COLOUR

The Departure of Colour, Line, and Silent Melodies is a moving tribute to master artist Narendra Nath Das, whose poetic modern...

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GULZAR’S LEGACY LIVES THROUGH WALKING

Prof Dr Avinash Kolhe chronicles the Gulzar Walk, an evocative literary heritage initiative by Urdu Markaz Rehguzar, celebrati...

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DESIGNING SPACES THAT FEEL HUMAN

Arnab Banerjee profiles designer Tasha Singh, whose inventive practice bridges Indian craftsmanship and contemporary thinking,...

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FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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MAGDALEN OF THE CANADIAN ARCHIPELAGO

Sohaila Kapur chronicles an unforgettable journey through Canada’s Magdalen Islands, exploring Acadian history, breathta...

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