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IRRFAN: THE ART OF UNDERSTATED ACTING

Sharad Raj explores Irrfan’s extraordinary screen presence, examining how body language, social awareness and meticulous preparat...

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YASH CHOPRA: BOLLYWOOD’S TIMELESS MAJNU

Monojit Lahiri remembers Yash Chopra, Bollywood’s quintessential romantic filmmaker, whose films transformed love, longi...

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SHAMMI KAPOOR: BOLLYWOOD’S ETERNAL REBEL

Saluting The Memories Of Bollywood’s Timeless Rebel Star - Shammi Kapoor!! On his 15th death anniversary Monojit Lahiri remembers...

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MAX, MIN, MEOWZAKI: LOVE, LOSS AND A CAT

Saibal Chatterjee reviews Max, Min and Meowzaki, a warm, perceptive exploration of love, grief, family, friendship and healing...

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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

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REIMAGINING MENTAL HEALTH THROUGH COMPASSION

In this deeply personal conversation, Vinta Nanda speaks with Sachin Chaudhry about mental health, emotional resilience, AI, e...

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INDIA CENSUS 2027 INCLUSION CHALLENGES

Population Foundation of India calls for inclusive and secure approach to India’s first digital Census. As India begins Census 2027, conc...

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BUSINESS: GIG WORK AND CAPITALIST FAILURE

Sharad Raj examines the New Year’s Eve gig workers’ strike to expose how neo-capitalism, privatisation, and algori...

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THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES

A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...

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