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UDTA TEER REVIEW: STAR CAST DISAPPOINTS

Udta Teer, starring Ayushmann Khurrana and Sara Ali Khan, attempts to turn Indo-Pakistani espionage into a farcical comedy. Reviewed by...

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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY

Arnab Banerjee reviews Karan Rawal’s Tu Hai Meri Kiran, a science-fiction thriller about obsessive love that st...

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(NOT) A FORGOTTEN FREEDOM FIGHTER OF GOA

Libby de Liberdade: A Century of Courage, Conscience and Goa’s Freedom explores centenarian freedom fighter Libia Lobo Sardesai&r...

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FESTIVE LOVE TRAP: THE SECOND-CHANCE DILEMMA

Across India, a survey of previously married singles reveals how festive gatherings intensify loneliness, comparison and press...

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A WOMAN UNDER PUBLIC SCRUTINY

Austere, affecting tale of a woman hounded. Saibal Chatterjee’s review of Sandeep Kumar Paul’s Bengali film explor...

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SATISH GUJRAL: ART BEYOND PARTITION’S TRAUMA

Prof. Dr Avinash Kolhe revisits Satish K Gujral’s centenary retrospective at Mumbai’s NGMA, exploring how Partitio...

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ANURAG CHAUHAN: YOUNG BODY, OLD SOUL

In this conversation with Sohaila Kapur, social worker Anurag Chauhan reflects on menstrual hygiene, education, transgender inclusion, ...

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NANA PATEKAR: THE ACTOR UNFORGETTABLE

Nana Patekar, one of Indian cinema’s most powerful actors, leaves behind an extraordinary legacy across Hindi and Marathi cinema,...

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SANJIB SABHAPANDIT: PURPOSE-DRIVEN CINEMA

Sanjib Sabhapandit is in conversation with Utpal Datta about Assamese cinema, purpose-driven filmmaking, cultural identity, audience re...

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WHEN GRIEF BECOMES ART

Vinta Nanda speaks with Divya Jagdale about Brownie, her first short film, and how grief, art and survival can transf...

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