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BIRDS IN THE DARK REVIEW

A luminous tale of souls in search of light. Saibal Chatterjee’s review explores Shashank Walia’s evocative directorial deb...

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DURGA PUJA: FAITH MEETS COMMERCIALISM

Monojit Lahiri examines how Durga Puja has evolved from an intimate religious celebration into a high-profile spectacle shaped...

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ANURAG CHAUHAN: YOUNG BODY, OLD SOUL

In this conversation with Sohaila Kapur, social worker Anurag Chauhan reflects on menstrual hygiene, education, transgender inclusion, ...

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THREE STORIES DEMANDING OUR ATTENTION

From an acclaimed Himalayan love story to conversations on body shaming, food safety, cybersecurity and AI, these are three stories from this week that des...

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HEALTHY BOUNDARIES SHAPE SECOND CHANCES

A Rebounce survey of 9,283 previously married Indians reveals how healthy boundaries with former spouses, emotional clarity, s...

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HOW AIRTEL'S SOUND BUILT IDENTITY

A.R. Rahman's five-note Airtel anthem transformed sonic branding in India, proving that advertising music can become enduring ...

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SLOW CINEMA AGAINST CONSUMED TIME

Poetry Of Slow Cinema In The Times Of Reels & Shorts: Sharad Raj examines how slow cinema resists commodified atte...

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NO LIMITS: SAYANI GUPTA BREAKS BOUNDARIES

To make up for a briefer-than-brief conversation with her back in 2022 at the wedding of Richa Chadha-Ali Fazal, over to an insightful ...

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ATUL KASBEKAR: SO CLOSE TO LIFE

Atul Kasbekar, eminent high-glamour photographer, has achieved the impossible. Contradicting his trademark glossy style, he ha...

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MAA BEHEN STRUGGLES TO BITE

Arnab Banerjee reviews Maa Behen, Suresh Triveni's dark comedy starring Madhuri Dixit, Triptii Dimri, and Ravi Kishan...

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