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UDTA TEER REVIEW: STAR CAST DISAPPOINTS

Udta Teer, starring Ayushmann Khurrana and Sara Ali Khan, attempts to turn Indo-Pakistani espionage into a farcical comedy. Reviewed by...

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IRRFAN: THE ART OF UNDERSTATED ACTING

Sharad Raj explores Irrfan’s extraordinary screen presence, examining how body language, social awareness and meticulous preparat...

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DURGA PUJA: FAITH MEETS COMMERCIALISM

Monojit Lahiri examines how Durga Puja has evolved from an intimate religious celebration into a high-profile spectacle shaped...

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A WOMAN UNDER PUBLIC SCRUTINY

Austere, affecting tale of a woman hounded. Saibal Chatterjee’s review of Sandeep Kumar Paul’s Bengali film explor...

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ANURAG CHAUHAN: YOUNG BODY, OLD SOUL

In this conversation with Sohaila Kapur, social worker Anurag Chauhan reflects on menstrual hygiene, education, transgender inclusion, ...

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NANA PATEKAR: THE ACTOR UNFORGETTABLE

Nana Patekar, one of Indian cinema’s most powerful actors, leaves behind an extraordinary legacy across Hindi and Marathi cinema,...

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SANJIB SABHAPANDIT: PURPOSE-DRIVEN CINEMA

Sanjib Sabhapandit is in conversation with Utpal Datta about Assamese cinema, purpose-driven filmmaking, cultural identity, audience re...

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WHEN GRIEF BECOMES ART

Vinta Nanda speaks with Divya Jagdale about Brownie, her first short film, and how grief, art and survival can transf...

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CHRISTIE’S MOUSETRAP FINDS MARATHI LIFE

Prof Dr Avinash Kolhe reviews Subhedar Guest House, the Marathi adaptation of Agatha Christie’s The Mousetrap, examining...

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CHRISTIE’S MOUSETRAP FINDS MARATHI LIFE

Prof Dr Avinash Kolhe reviews Subhedar Guest House, the Marathi adaptation of Agatha Christie’s The Mousetrap, examining...

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