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BOLLYWOOD AWARDS REWARDS BOX OFFICE

Why do acclaimed performances rarely translate into commercial opportunity in Hindi cinema? Monojit Lahiri explores the divide between ...

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MIRZAPUR MOVIE REVIEW: BIGGER, BLOODIER

Arnab Banerjee reviews Mirzapur: The Movie, examining its ambitious leap from streaming to cinema, Pankaj Tripathi’s com...

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STUDENT CITY SEASON 2 PART 3: BIKI’S BOHEMIAN RISE

Dr Piyush Roy chronicles Episode 3 of Season 2 of Student City, where Biki’s fearless bohemian charm, shifting loyalties...

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FALGUNI KHARWA’S INSPIRING LIFE JOURNEY

Podcast Review: A Conversation with Falguni Kharwa By WomenComm - Discover how acclaimed newborn photographer...

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FRIENDSHIPS FORGED IN STUDENT CITY

In Student City Season 2 Part 2, Dr Piyush Roy revisits the unforgettable classroom where rivalry became friendship, revealing...

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CELEBRATE LIFE CELEBRATE EVERY DAY

From Holi to National Mosquito Day, Monojit Lahiri explores the explosion of quirky celebration days and asks whether Gen Z&rs...

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WHEN SAI FOUGHT FOR WRITERS’ RIGHTS

Khalid Mohamed revisits Sai Paranjpye’s battle over Chashme Buddoor, exposing how India’s screenwriters continue s...

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THE JUST: POLITICS, MORALITY, VIOLENCE

Prof Dr Avinash Kolhe reviews The Just, Albert Camus’s powerful political-moral play, in its Hindi adaptation in India, ...

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BATWARA 1947 REVIEW: SHABANA AZMI

BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that hi...

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IDENTITY, EXILE, MEMORY AND DEATH

Devdutt Trivedi examines Pankaj Rishi Kumar’s To Die a Frenchman through phenomenology, absurdism and existentialism, Read More