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WHEN GRIEF BECOMES ART

Vinta Nanda speaks with Divya Jagdale about Brownie, her first short film, and how grief, art and survival can transf...

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THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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HRISHIKESH MUKHERJEE AND EVERYDAY CINEMA

Remembering the timeless creator of…BABUMOSHAI, on his 104th birth anniversary: September 30th! Monojit Lahiri pays homage to th...

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TELEVISION ACTORS NAVIGATE CHANGING SCREENS

Only Women Panel Explores the Changing Screens and the Journey of Television Actors from Television to OTT. A Mumbai discussio...

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THREE STORIES DEMANDING OUR ATTENTION

From an acclaimed Himalayan love story to conversations on body shaming, food safety, cybersecurity and AI, these are three stories from this week that des...

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OF WOMEN, BY WOMEN….TWO BOOK REVIEWS

Sohaila Kapur reviews Avni Doshi’s First House and Andaleeb Wajid’s Have You Met Me, exploring women’s identity, marr...

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HAS BOLLYWOOD FORGOTTEN SCREEN LOVE

Today, with crime nationalism, and action calling the shots has love vanished from the screens? Monojit Lahri investigates the fading l...

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VIBE FINDS COMIC RHYTHM

When Incompetence Becomes Comic Heroism: Arnab Banerjee reviews Vibe, Kunal Kemmu’s action-comedy spy thriller starring Sparsh Srivastava, Preity Zinta and Va...

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2xI WILL GO? YES NO: MONOJIT LAHIRI

Monojit Lahiri investigates how deep is deep in extra-marital journeys across reel and real life, exploring love triangles, de...

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DAAYRA CHALLENGES JUSTICE MORALITY

Arnab Banerjee reviews Meghna Gulzar's Daayra, a morally ambitious crime drama where Kareena Kapoor Khan and Prithviraj Sukuma...

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