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Bollywood

DRISHYAM CONCLUSION: TRUTH, DECEPTION, SURVIVAL

The final Drishyam chapter returns to Vijay Salgaonkar’s world of lies, memory and moral ambiguity, writes Arnab Banerjee, Read More

Thought Factory

THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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Alternative Entertainment

SHAKUNTALA NAGARKAR: DEATH IN THE SADDLE

A tribute by Prof Dr Avinash Kolhe to legendary Lavani exponent Shakuntala Nagarkar, whose extraordinary artistry, wit, dignit...

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Kaleidoscope

OF WOMEN, BY WOMEN….TWO BOOK REVIEWS

Sohaila Kapur reviews Avni Doshi’s First House and Andaleeb Wajid’s Have You Met Me, exploring women’s identity, marr...

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Thought Factory

HAS BOLLYWOOD FORGOTTEN SCREEN LOVE

Today, with crime nationalism, and action calling the shots has love vanished from the screens? Monojit Lahri investigates the fading l...

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Festivals

INDIAN DIASPORA CINEMA SHINES GLOBALLY

The ninth India International Film Festival of Boston concluded with 48 films across 12 languages, celebrating independent cinema, Read More

Gender

THROUGH HER EYES: ART RESISTS VIOLENCE

A powerful reflection by Sushil Poddar on Ratnabali Kant’s installation performance Nipped in the Bud, where co...

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Thought Factory

2xI WILL GO? YES NO: MONOJIT LAHIRI

Monojit Lahiri investigates how deep is deep in extra-marital journeys across reel and real life, exploring love triangles, de...

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Gender

A CONVERSATION THAT STAYS WITH YOU

Sushmita Chowdhary reviews Vinta Nanda’s WMNcomm podcast on fearless storytelling, women’s leadership, independent cinema, creativity, Tara, Th...

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Bollywood

STAR POWER DROWNS HAIWAAN’S THRILLER

Arnab Banerjee reviews Haiwaan, Priyadarshan’s remake of Oppam, arguing that an intriguing psychological thriller is overwhelmed by Akshay Kumar&rsqu...

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