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CHRISTIE’S MOUSETRAP FINDS MARATHI LIFE

Prof Dr Avinash Kolhe reviews Subhedar Guest House, the Marathi adaptation of Agatha Christie’s The Mousetrap, examining...

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DRISHYAM CONCLUSION: TRUTH, DECEPTION, SURVIVAL

The final Drishyam chapter returns to Vijay Salgaonkar’s world of lies, memory and moral ambiguity, writes Arnab Banerjee, Read More

THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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HRISHIKESH MUKHERJEE AND EVERYDAY CINEMA

Remembering the timeless creator of…BABUMOSHAI, on his 104th birth anniversary: September 30th! Monojit Lahiri pays homage to th...

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TELEVISION ACTORS NAVIGATE CHANGING SCREENS

Only Women Panel Explores the Changing Screens and the Journey of Television Actors from Television to OTT. A Mumbai discussio...

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OF WOMEN, BY WOMEN….TWO BOOK REVIEWS

Sohaila Kapur reviews Avni Doshi’s First House and Andaleeb Wajid’s Have You Met Me, exploring women’s identity, marr...

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INDIAN DIASPORA CINEMA SHINES GLOBALLY

The ninth India International Film Festival of Boston concluded with 48 films across 12 languages, celebrating independent cinema, Read More

2xI WILL GO? YES NO: MONOJIT LAHIRI

Monojit Lahiri investigates how deep is deep in extra-marital journeys across reel and real life, exploring love triangles, de...

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A CONVERSATION THAT STAYS WITH YOU

Sushmita Chowdhary reviews Vinta Nanda’s WMNcomm podcast on fearless storytelling, women’s leadership, independent cinema, creativity, Tara, Th...

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BARNALI RAY SHUKLA'S FEARLESS PORTRAIT

Vinta Nanda discovers Barnali Ray Shukla's humane documentary I Run Into Chairs, an intimate portrait of Divyanshu Ganatra's f...

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