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A WOMAN UNDER PUBLIC SCRUTINY

Austere, affecting tale of a woman hounded. Saibal Chatterjee’s review of Sandeep Kumar Paul’s Bengali film explor...

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SATISH GUJRAL: ART BEYOND PARTITION’S TRAUMA

Prof. Dr Avinash Kolhe revisits Satish K Gujral’s centenary retrospective at Mumbai’s NGMA, exploring how Partitio...

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ANURAG CHAUHAN: YOUNG BODY, OLD SOUL

In this conversation with Sohaila Kapur, social worker Anurag Chauhan reflects on menstrual hygiene, education, transgender inclusion, ...

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NANA PATEKAR: THE ACTOR UNFORGETTABLE

Nana Patekar, one of Indian cinema’s most powerful actors, leaves behind an extraordinary legacy across Hindi and Marathi cinema,...

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SANJIB SABHAPANDIT: PURPOSE-DRIVEN CINEMA

Sanjib Sabhapandit is in conversation with Utpal Datta about Assamese cinema, purpose-driven filmmaking, cultural identity, audience re...

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WHEN GRIEF BECOMES ART

Vinta Nanda speaks with Divya Jagdale about Brownie, her first short film, and how grief, art and survival can transf...

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DRISHYAM CONCLUSION: TRUTH, DECEPTION, SURVIVAL

The final Drishyam chapter returns to Vijay Salgaonkar’s world of lies, memory and moral ambiguity, writes Arnab Banerjee, Read More

THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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TELEVISION ACTORS NAVIGATE CHANGING SCREENS

Only Women Panel Explores the Changing Screens and the Journey of Television Actors from Television to OTT. A Mumbai discussio...

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THREE STORIES DEMANDING OUR ATTENTION

From an acclaimed Himalayan love story to conversations on body shaming, food safety, cybersecurity and AI, these are three stories from this week that des...

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