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TANMAYA SHEKHAR: REWRITING INDEPENDENT CINEMA

In this exclusive conversation, Vinta Nanda speaks with Tanmaya Shekhar about Nukkad Naatak, a fearless caravan journey across...

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NOT QUITE FAMILY REVIEWED BRILLIANTLY

Sushil Poddar explores Khalid Mohamed’s Not Quite Family, an unflinchingly honest journey through Bollywood’s myth...

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WOMEN’S NETWORKS DRIVE CAREER SUCCESS

Strong professional networks help women access hidden opportunities, writes Sushmita Chowdhary, accelerate promotions, build m...

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KASTOORI: CINEMA, DIGNITY AND SELF-RESPECT

Binod Kamble’s film Kastoori begins with a stark scene of cleaning a dirty toilet. Utpal Datta explores its portrait of marginali...

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WHY WOMEN MUST CLAIM VISIBILITY

 Sushmita Chowdhary explores why women leaders must claim visibility, build auth...

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IAA LEADERSHIP AWARDS HONOUR ICONS

IAA Leadership Awards 2026 brought together India’s leading business, advertising, media and creative voices, celebratin...

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JJ SCHOOL’S FREEDOM ART REVEALED

Prof. Dr. Avinash Kolhe explores how JJ School of Art students captured India’s freedom struggle through rare paintings, revealin...

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INDEPENDENT CINEMA FINDS ITS AUDIENCE

At WIFF 2025, Kabeer Khurana, Deepa Gahlot and Siddharth Kak examined independent cinema, technology, exhibition, audiences an...

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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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IDENTITY, EXILE, MEMORY AND DEATH

Devdutt Trivedi examines Pankaj Rishi Kumar’s To Die a Frenchman through phenomenology, absurdism and existentialism, Read More