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GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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REBUILDING CONFIDENCE AFTER CAREER BREAKS

Women returning to work after career breaks can rebuild confidence through practice, volunteering, honesty, transferable skills, and small step...

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MARATHI MUSICAL THEATRE TAKES CENTRE STAGE

Prof Dr Avinash Kolhe explores the enduring legacy of Marathi musical theatre as Nehru Centre Mumbai presents its 34th annual ...

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DINESH RAHEJA’S POETRY OF LONGING

Radhika Pandey explores Dinesh Raheja’s new poetry collection, ‘अधूरी ख़्...

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DESIGNING SPACES THAT FEEL HUMAN

Arnab Banerjee profiles designer Tasha Singh, whose inventive practice bridges Indian craftsmanship and contemporary thinking,...

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WIFF MUMBAI TALKS CHANGING CINEMA

In the run-up to WIFF Mumbai 2026, The Daily Eye brings you the unmissable conversations of 2025—when dialogue became the beating...

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WHEN CLAY BECOMES LIVING POETRY

Arnab Banerjee finds out how Poettery founders Anubir Singh and Bhavana transformed handcrafted ceramics into a philosophy of ...

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MAGDALEN OF THE CANADIAN ARCHIPELAGO

Sohaila Kapur chronicles an unforgettable journey through Canada’s Magdalen Islands, exploring Acadian history, breathta...

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BATTLEGROUND TO BOARDROOM: INNER STRENGTH

A Series by Sushmita Chowdhary for WMN COMM: In this opening essay, the writer explores how respect, resilien...

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BEGUM BARVE RETURNS WITH BRILLIANCE

Satish Alekar's landmark Marathi classic Begum Barve receives an accomplished revival under Gaurav Kanekar, proving why this groundbre...

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