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BOLLYWOOD TIK-TALK: RAJKUMAR RAO PAYS HOMAGE TO 90s ERA

Look at the headlines at the start of this week, from Rajkumar Rao’s unstoppable Bollywood dominance, to Nargis Fakhri’s grace and ...

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NEED FOR EQUITABLE GENDER REPRESENTATION IN HINDI CINEMA

A new research report by the School of Media and Cultural Studies at the Tata Institute of Social Sciences, Mumbai, reveals that on-and-off-scr...

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TOPS GLOBALLY. FLOPS LOCALLY.

Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...

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THE AFTERMATH WILL OUTLIVE US

Humra Quraishi gives us the details of how many of the members of parliament in the present have cases against them of dacoity...

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DOES WATCHING ART-HOUSE CINEMA MAKE YOU…SUPERIOR??

Monojit Lahiri investigates on a topic, which a good, grounded and witty friend, one fine day, brought up in a discussion.

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A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”

SAD TIMES…

Humra  Quraishi reports on mindless encounters taking place in UP and harks to understand why they have almost become the...

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CASTE, RELIGION AND LEARNING GAPS

In the backdrop of an incident that took place a couple of weeks ago, when a young Muslim student was taunted by his teacher, Humra Qur...

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BOLD AND BEAUTIFUL

Film historian Dhruv Somani, a loyal fan of Sushmita Sen, retraces her  estimable career, as her birthday approaches on N...

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Dream Interrupted

Film historian Dhruv Somani laments the fact that Muzaffar Ali’s Zooni (1989), with Dimple Kapadia in the title role, co...

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