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Alternative Entertainment

IRRFAN: THE ART OF UNDERSTATED ACTING

Sharad Raj explores Irrfan’s extraordinary screen presence, examining how body language, social awareness and meticulous preparat...

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Alternative Entertainment

A WOMAN UNDER PUBLIC SCRUTINY

Austere, affecting tale of a woman hounded. Saibal Chatterjee’s review of Sandeep Kumar Paul’s Bengali film explor...

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Alternative Entertainment

SANJIB SABHAPANDIT: PURPOSE-DRIVEN CINEMA

Sanjib Sabhapandit is in conversation with Utpal Datta about Assamese cinema, purpose-driven filmmaking, cultural identity, audience re...

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Thought Factory

THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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Trending

TELEVISION ACTORS NAVIGATE CHANGING SCREENS

Only Women Panel Explores the Changing Screens and the Journey of Television Actors from Television to OTT. A Mumbai discussio...

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Bollywood

DAAYRA CHALLENGES JUSTICE MORALITY

Arnab Banerjee reviews Meghna Gulzar's Daayra, a morally ambitious crime drama where Kareena Kapoor Khan and Prithviraj Sukuma...

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Bollywood

MIRZAPUR MOVIE REVIEW: BIGGER, BLOODIER

Arnab Banerjee reviews Mirzapur: The Movie, examining its ambitious leap from streaming to cinema, Pankaj Tripathi’s com...

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Festivals

INDEPENDENT CINEMA CROSSES GLOBAL BORDERS

At the Independent Waterfront Film Festival 2025, Rashmi Lamba moderated a compelling conversation on co-productions, legal fr...

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Thought Factory

SLOW CINEMA AGAINST CONSUMED TIME

Poetry Of Slow Cinema In The Times Of Reels & Shorts: Sharad Raj examines how slow cinema resists commodified atte...

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Alternative Entertainment

MAX, MIN, MEOWZAKI: LOVE, LOSS AND A CAT

Saibal Chatterjee reviews Max, Min and Meowzaki, a warm, perceptive exploration of love, grief, family, friendship and healing...

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