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WHEN A SCOOTER BRINGS MOTHER BACK

In this poignant personal essay, Sushil Poddar revisits childhood memories of Durga Puja, his late mother, and a scooter that evokes an...

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IRRFAN: THE ART OF UNDERSTATED ACTING

Sharad Raj explores Irrfan’s extraordinary screen presence, examining how body language, social awareness and meticulous preparat...

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HEALTHY BOUNDARIES SHAPE SECOND CHANCES

A Rebounce survey of 9,283 previously married Indians reveals how healthy boundaries with former spouses, emotional clarity, s...

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BOLLYWOOD AWARDS REWARDS BOX OFFICE

Why do acclaimed performances rarely translate into commercial opportunity in Hindi cinema? Monojit Lahiri explores the divide between ...

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STUDENT CITY SEASON 2 PART 3: BIKI’S BOHEMIAN RISE

Dr Piyush Roy chronicles Episode 3 of Season 2 of Student City, where Biki’s fearless bohemian charm, shifting loyalties...

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CELEBRATE LIFE CELEBRATE EVERY DAY

From Holi to National Mosquito Day, Monojit Lahiri explores the explosion of quirky celebration days and asks whether Gen Z&rs...

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NOT QUITE FAMILY REVIEWED BRILLIANTLY

Sushil Poddar explores Khalid Mohamed’s Not Quite Family, an unflinchingly honest journey through Bollywood’s myth...

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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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SLOW CINEMA AGAINST CONSUMED TIME

Poetry Of Slow Cinema In The Times Of Reels & Shorts: Sharad Raj examines how slow cinema resists commodified atte...

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