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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY

Arnab Banerjee reviews Karan Rawal’s Tu Hai Meri Kiran, a science-fiction thriller about obsessive love that st...

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WHEN GRIEF BECOMES ART

Vinta Nanda speaks with Divya Jagdale about Brownie, her first short film, and how grief, art and survival can transf...

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DRISHYAM CONCLUSION: TRUTH, DECEPTION, SURVIVAL

The final Drishyam chapter returns to Vijay Salgaonkar’s world of lies, memory and moral ambiguity, writes Arnab Banerjee, Read More

THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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OF WOMEN, BY WOMEN….TWO BOOK REVIEWS

Sohaila Kapur reviews Avni Doshi’s First House and Andaleeb Wajid’s Have You Met Me, exploring women’s identity, marr...

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EK LAMHA ZINDAGI: LOVE BEYOND BORDERS Juhi Babbar

Soni delivers a remarkable solo performance in Ek Lamha Zindagi, directed by Makrand Deshpande and Juhi Babbar Soni, exploring...

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KARUNA SAMTANI AND THE TELE-REVOLUTION

Karuna Samtani, the pioneering Head of Programming and first employee of Zee TV, joins Vinta Nanda to reveal the untold story of India's satellite television Read More

BARNALI RAY SHUKLA'S FEARLESS PORTRAIT

Vinta Nanda discovers Barnali Ray Shukla's humane documentary I Run Into Chairs, an intimate portrait of Divyanshu Ganatra's f...

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TANUJ GARG: LEAP OF FAITH

In this exclusive interview, Khalid Mohamed speaks with Tanuj Garg about his remarkable journey from corporate executive to ac...

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MIRZAPUR MOVIE REVIEW: BIGGER, BLOODIER

Arnab Banerjee reviews Mirzapur: The Movie, examining its ambitious leap from streaming to cinema, Pankaj Tripathi’s com...

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