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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY

Arnab Banerjee reviews Karan Rawal’s Tu Hai Meri Kiran, a science-fiction thriller about obsessive love that st...

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(NOT) A FORGOTTEN FREEDOM FIGHTER OF GOA

Libby de Liberdade: A Century of Courage, Conscience and Goa’s Freedom explores centenarian freedom fighter Libia Lobo Sardesai&r...

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THE FIRST FILM: CINEMA, FREEDOM, DESIRE

Cinema transforms the Confined World By Utpal Datta. In Piyush Thakur’s award-winning short, a young girl’s yearni...

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IRRFAN: THE ART OF UNDERSTATED ACTING

Sharad Raj explores Irrfan’s extraordinary screen presence, examining how body language, social awareness and meticulous preparat...

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FESTIVE LOVE TRAP: THE SECOND-CHANCE DILEMMA

Across India, a survey of previously married singles reveals how festive gatherings intensify loneliness, comparison and press...

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SATISH GUJRAL: ART BEYOND PARTITION’S TRAUMA

Prof. Dr Avinash Kolhe revisits Satish K Gujral’s centenary retrospective at Mumbai’s NGMA, exploring how Partitio...

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ANURAG CHAUHAN: YOUNG BODY, OLD SOUL

In this conversation with Sohaila Kapur, social worker Anurag Chauhan reflects on menstrual hygiene, education, transgender inclusion, ...

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SANJIB SABHAPANDIT: PURPOSE-DRIVEN CINEMA

Sanjib Sabhapandit is in conversation with Utpal Datta about Assamese cinema, purpose-driven filmmaking, cultural identity, audience re...

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WHEN GRIEF BECOMES ART

Vinta Nanda speaks with Divya Jagdale about Brownie, her first short film, and how grief, art and survival can transf...

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DRISHYAM CONCLUSION: TRUTH, DECEPTION, SURVIVAL

The final Drishyam chapter returns to Vijay Salgaonkar’s world of lies, memory and moral ambiguity, writes Arnab Banerjee, Read More