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WHEN A SCOOTER BRINGS MOTHER BACK

In this poignant personal essay, Sushil Poddar revisits childhood memories of Durga Puja, his late mother, and a scooter that evokes an...

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ANURAG CHAUHAN: YOUNG BODY, OLD SOUL

In this conversation with Sohaila Kapur, social worker Anurag Chauhan reflects on menstrual hygiene, education, transgender inclusion, ...

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YASH CHOPRA: BOLLYWOOD’S TIMELESS MAJNU

Monojit Lahiri remembers Yash Chopra, Bollywood’s quintessential romantic filmmaker, whose films transformed love, longi...

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WHEN GRIEF BECOMES ART

Vinta Nanda speaks with Divya Jagdale about Brownie, her first short film, and how grief, art and survival can transf...

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CHRISTIE’S MOUSETRAP FINDS MARATHI LIFE

Prof Dr Avinash Kolhe reviews Subhedar Guest House, the Marathi adaptation of Agatha Christie’s The Mousetrap, examining...

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CHRISTIE’S MOUSETRAP FINDS MARATHI LIFE

Prof Dr Avinash Kolhe reviews Subhedar Guest House, the Marathi adaptation of Agatha Christie’s The Mousetrap, examining...

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THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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TELEVISION ACTORS NAVIGATE CHANGING SCREENS

Only Women Panel Explores the Changing Screens and the Journey of Television Actors from Television to OTT. A Mumbai discussio...

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SHAKUNTALA NAGARKAR: DEATH IN THE SADDLE

A tribute by Prof Dr Avinash Kolhe to legendary Lavani exponent Shakuntala Nagarkar, whose extraordinary artistry, wit, dignit...

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OF WOMEN, BY WOMEN….TWO BOOK REVIEWS

Sohaila Kapur reviews Avni Doshi’s First House and Andaleeb Wajid’s Have You Met Me, exploring women’s identity, marr...

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