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Gender

FESTIVE LOVE TRAP: THE SECOND-CHANCE DILEMMA

Across India, a survey of previously married singles reveals how festive gatherings intensify loneliness, comparison and press...

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Thought Factory

THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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Gender

HEALTHY BOUNDARIES SHAPE SECOND CHANCES

A Rebounce survey of 9,283 previously married Indians reveals how healthy boundaries with former spouses, emotional clarity, s...

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Bollywood

GANDHARI REVIEW: MISSES MARK BY MILES

In this review, Saibal Chatterjee finds Devashish Makhija’s Gandhari an ambitious but deeply flawed thriller, where Taap...

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Trending

DINESH RAHEJA’S POETRY OF LONGING

Radhika Pandey explores Dinesh Raheja’s new poetry collection, ‘अधूरी ख़्...

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Hollywood

HINDI CINEMA: UNDER HOLLYWOOD’S HAT

Khalid Mohamed recalls the impact (and copycatting) of Hollywood cinema and its gossip journals, which inspired countless ente...

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Bollywood

DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

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Powerful People

MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA

Anshul Sinha’s journey through indie cinema reflects risk and purpose, as his film Million Views attempts to heal a frac...

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Kaleidoscope

STUDENT CITY PART 1

A sharp, evocative campus romance unfolds in The Daily Eye’s Kaleidoscope section, as Prof Dr Piyush Roy’s compelling ficti...

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Bollywood

BHOOTH BANGLA REVIEW: MISSED COMIC HORROR

Arnab Banerjee examines Bhooth Bangla, dissecting its failed blend of horror and comedy, uneven narrative, and wasted performances in this detailed review ...

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