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IRRFAN: THE ART OF UNDERSTATED ACTING

Sharad Raj explores Irrfan’s extraordinary screen presence, examining how body language, social awareness and meticulous preparat...

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A WOMAN UNDER PUBLIC SCRUTINY

Austere, affecting tale of a woman hounded. Saibal Chatterjee’s review of Sandeep Kumar Paul’s Bengali film explor...

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THREE STORIES DEMANDING OUR ATTENTION

From an acclaimed Himalayan love story to conversations on body shaming, food safety, cybersecurity and AI, these are three stories from this week that des...

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THE JUST: POLITICS, MORALITY, VIOLENCE

Prof Dr Avinash Kolhe reviews The Just, Albert Camus’s powerful political-moral play, in its Hindi adaptation in India, ...

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SLOW CINEMA AGAINST CONSUMED TIME

Poetry Of Slow Cinema In The Times Of Reels & Shorts: Sharad Raj examines how slow cinema resists commodified atte...

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FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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SARMAYA CELEBRATES PRADHAN GOND HERITAGE

Prof Dr Avinash Kolhe explores Sarmaya Arts Foundation's remarkable exhibition, Chola Maati: Ballad of the Bards, celebrating ...

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THE STING BEHIND BOLLYWOOD PAPARAZZI

Khalid Mohamed, without being judgmental, reports on the love-hate relationship of the celebrities and the paparazzi – a...

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105 CHEERS FOR SATYAJIT RAY

Celebrating Satyajit Ray’s 105th Birth Anniversary: Never in the annals of Indian film history has any single filmmaker, before or since,...

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REIMAGINING MENTAL HEALTH THROUGH COMPASSION

In this deeply personal conversation, Vinta Nanda speaks with Sachin Chaudhry about mental health, emotional resilience, AI, e...

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