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UDTA TEER REVIEW: STAR CAST DISAPPOINTS

Udta Teer, starring Ayushmann Khurrana and Sara Ali Khan, attempts to turn Indo-Pakistani espionage into a farcical comedy. Reviewed by...

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A WOMAN UNDER PUBLIC SCRUTINY

Austere, affecting tale of a woman hounded. Saibal Chatterjee’s review of Sandeep Kumar Paul’s Bengali film explor...

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MIRZAPUR MOVIE REVIEW: BIGGER, BLOODIER

Arnab Banerjee reviews Mirzapur: The Movie, examining its ambitious leap from streaming to cinema, Pankaj Tripathi’s com...

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JODHPUR RIFF CELEBRATES LIVING TRADITIONS

Where Tradition Finds Its Future: Twenty Years of Jodhpur RIFF: By Arnab Banerjee, this immersive feature explores how Jodhpur RIFF mar...

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BATWARA 1947 REVIEW: SHABANA AZMI

BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that hi...

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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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THE LAST LANGUAGE OF DEMOCRACY

As Sonam Wangchuk's fast enters its twentieth day, this essay examines hunger strikes worldwide, democratic dissent, capitalis...

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MAGDALEN OF THE CANADIAN ARCHIPELAGO

Sohaila Kapur chronicles an unforgettable journey through Canada’s Magdalen Islands, exploring Acadian history, breathta...

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ATUL KASBEKAR: SO CLOSE TO LIFE

Atul Kasbekar, eminent high-glamour photographer, has achieved the impossible. Contradicting his trademark glossy style, he ha...

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HINDI CINEMA: UNDER HOLLYWOOD’S HAT

Khalid Mohamed recalls the impact (and copycatting) of Hollywood cinema and its gossip journals, which inspired countless ente...

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