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HRISHIKESH MUKHERJEE AND EVERYDAY CINEMA

Remembering the timeless creator of…BABUMOSHAI, on his 104th birth anniversary: September 30th! Monojit Lahiri pays homage to th...

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THROUGH HER EYES: ART RESISTS VIOLENCE

A powerful reflection by Sushil Poddar on Ratnabali Kant’s installation performance Nipped in the Bud, where co...

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A CONVERSATION THAT STAYS WITH YOU

Sushmita Chowdhary reviews Vinta Nanda’s WMNcomm podcast on fearless storytelling, women’s leadership, independent cinema, creativity, Tara, Th...

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STAR POWER DROWNS HAIWAAN’S THRILLER

Arnab Banerjee reviews Haiwaan, Priyadarshan’s remake of Oppam, arguing that an intriguing psychological thriller is overwhelmed by Akshay Kumar&rsqu...

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BOLLYWOOD AWARDS REWARDS BOX OFFICE

Why do acclaimed performances rarely translate into commercial opportunity in Hindi cinema? Monojit Lahiri explores the divide between ...

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SLOW CINEMA AGAINST CONSUMED TIME

Poetry Of Slow Cinema In The Times Of Reels & Shorts: Sharad Raj examines how slow cinema resists commodified atte...

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PINJAR REVIEW: FREEDOM BEYOND THE CAGE

Saibal Chatterjee reviews Rudrajit Roy's Pinjar, a deeply humane drama about freedom, identity, gender and survival, examining how invisible ca...

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NO LIMITS: SAYANI GUPTA BREAKS BOUNDARIES

To make up for a briefer-than-brief conversation with her back in 2022 at the wedding of Richa Chadha-Ali Fazal, over to an insightful ...

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ATUL KASBEKAR: SO CLOSE TO LIFE

Atul Kasbekar, eminent high-glamour photographer, has achieved the impossible. Contradicting his trademark glossy style, he ha...

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HINDI CINEMA: UNDER HOLLYWOOD’S HAT

Khalid Mohamed recalls the impact (and copycatting) of Hollywood cinema and its gossip journals, which inspired countless ente...

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