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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY

Arnab Banerjee reviews Karan Rawal’s Tu Hai Meri Kiran, a science-fiction thriller about obsessive love that st...

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SANJIB SABHAPANDIT: PURPOSE-DRIVEN CINEMA

Sanjib Sabhapandit is in conversation with Utpal Datta about Assamese cinema, purpose-driven filmmaking, cultural identity, audience re...

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FEROZ KHAN’S GENTLE ARTISTIC WORLD

Khalid Mohamed explores Delhi artist Feroz Khan’s remarkable journey from Purani Dilli banner painting to acclaimed cont...

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INDEPENDENT CINEMA CROSSES GLOBAL BORDERS

At the Independent Waterfront Film Festival 2025, Rashmi Lamba moderated a compelling conversation on co-productions, legal fr...

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TANMAYA SHEKHAR: REWRITING INDEPENDENT CINEMA

In this exclusive conversation, Vinta Nanda speaks with Tanmaya Shekhar about Nukkad Naatak, a fearless caravan journey across...

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THE JUST: POLITICS, MORALITY, VIOLENCE

Prof Dr Avinash Kolhe reviews The Just, Albert Camus’s powerful political-moral play, in its Hindi adaptation in India, ...

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HOW AIRTEL'S SOUND BUILT IDENTITY

A.R. Rahman's five-note Airtel anthem transformed sonic branding in India, proving that advertising music can become enduring ...

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THIRTEEN DAYS WHEN HUMANITY HELD

At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history re...

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LEADERSHIP WAS NEVER MEANT TO BE GENDERED

Sushmita Chowdhary examines the enduring barriers women face in leadership, connecting India's historic women leaders, matria...

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MAGDALEN OF THE CANADIAN ARCHIPELAGO

Sohaila Kapur chronicles an unforgettable journey through Canada’s Magdalen Islands, exploring Acadian history, breathta...

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