Depending on whom you ask, the use of the active voice over the passive is arguably the most fundamental writer’s maxim, thought to lend weight, truth, and power to declarative statements. This absolutist view is flawed, however, because language is an art of nuance. From time to time, writers may well find illustrative value in the lightest of phrases, sentences so weightless and feathery that they scarcely even seem to exist at all. These can convey details well beyond the crude thrust of the hulking active voice, and when used strictly as ornamentation, they needn’t actually convey anything at all.

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