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FESTIVALS: RESTORED CLASSIC ARANYER DIN RATRI SHINES BRIGHT

At Cannes 2025, Film Heritage Foundation unveils restored masterpieces by Satyajit Ray and Sumitra Peries, spotlighting South Asia's cinematic ...

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ALTERNATIVE ENTERTAINMENT: SHIKWA JAWAB-E-SHIKWA

François Truffaut’s Les Mistons provokes Gen Z discomfort and deepens the filmmaker's responsibility—raising timele...

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RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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THOUGHT FACTORY: SATYAJIT RAY’S MASTERPIECES RESTORED

Restoring Satyajit Ray’s cinematic gems is more than preserving film; it safeguards history, culture, and artistic vision, ensuring futur...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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When men change and repent: Cinema of Kenji Mizoguchi

Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of th...

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Madhumati: A classic revisited

Film historian Dhruv Somani flashbacks to Bimal Roy’s classic ghost story, which continues to be mint-fre...

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Women Directors who are rocking the Bollywood Industry

Indian society is always male dominated. Men in most societies were seen as breadwinners while role of women was restricted to being a good hom...

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Celebrating the Women behind the Camera

In this age of Netflix, Hotstar and Amazon Prime, there's a unique streaming service called MUBI which I am sur...

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