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Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

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Cinema: A Lifetime Impact

An Art form, a masterpiece., pretentious nonsense, a waste of time and a passion, writes Shourya Sinha, as he deconstructs wha...

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Appealing to the young at heart: Kakababur Protyabortan

Srijit Mukherji’s new film appeals to the young at heart, with Soumik Haldar’s cinematography helping it tide over the narrative lu...

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The Singing, Forgetful Detective

Hoichoi’s first offering of the New Year is a Ritwick Chakraborty show all the way, writes Shantanu Ray Choudhuri

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I want to work on daydreaming: Sadiya Siddiqui

Aparajita Krishna has a long extensive conversation with Sadiya Siddiqui, whose journey is full of stories to tell.

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Sardar Udham: The Shadow Man

Satyabrata Ghosh explains why the film Sardar Udham should be watched to fathom what undying love for one’s own country ...

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The Indian Screen: Myth and Reality

Farrukh Dhondy traces the evolution of Indian storytelling from early days, when stories travelled by word-of-mouth, to now, a...

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HIGH FIVE: Time for Some hoichoi

Starting out in 2017, the first regional OTT player in India, hoichoi, is now the world’s leading Bengali...

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MURDER IN THE HILLS

MURDER IN THE HILLS

Shantanu Ray Chaudhuri’s review of the the sin...

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Play It Again

Film historian Dhruv Somani, tracks the highs and lows in the playback singing and acting careers of Shailendra Singh, who had...

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