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GENDER: WOMEN AND MONEY, PERFECTLY UNMATCHED??

"Empowering women through financial independence, WoMONEYsta, led by Neha Singh, breaks traditional barriers, enabling 40,000+ women to take co...

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THOUGHT FACTORY: INDIAN INDEPENDENT CINEMA’S EVOLUTION

Exploring the journey of Indian independent cinema from the constraints of the pre-internet era to the digital renaissance, highlighting key fi...

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TRENDING: THE GRANDEUR AND INEQUALITIES

The Ambani wedding, a symbol of India's wealth disparity, has ignited a heated debate on social media. While its opulence has captivated millio...

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ALTERNATIVE ENTERTAINMENT: MAINSTREAM VS. ALTERNATIVE PERSPECTIVES

A comprehensive understanding of mainstream and alternative movements enrich discussions about the strengths and weaknesses of each. Sh...

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FESTIVALS: KASHISH PRIDE FILM FESTIVAL UNVEILS NEW LOGO

KASHISH Pride Film Festival unveils its new logo and festival look! Mumbai based duo designed the logo, Bangalore based designer’s poster...

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FESTIVALS: THE LOKHANDWALA STREET-CORNER START-UPS

Today, Siddharth Kak explores the by lanes of his neighbourhood to discover a variety of Indian food and snacks on offer by a ...

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TRENDING: ALL THAT YOU NEED TO KNOW ABOUT MSP

Explainer on Minimum Support Price (MSP) as a legal guarantee using Swaminathan formula, and what is being demanded by the farmers of India, re...

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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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FILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?

Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...

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ANKUR: THE SAPLING OF PARALLEL HINDI CINEMA

“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...

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