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Where there is no will, there is violence

Humra Quraishi talks about how polarisation in grassroots India, by the use of state machinery...

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Our Invisible Men

Film historian Dhruv Somani travels back in time to chronicle 10 B-town films on the classic vanishing trick, first conceptual...

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Queen of OTT: Radhika Apte

Radhika Apte clearly outpaced all her competitors and peers in the OTT space to top the Indian Institute of Human Brands (IIHB) Report just rel...

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Oh, those feuds

Film historian, Dhruv Somani, rewinds to the mega-rival...

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Signs of the times: Love, Hate and Saffron Flowers

I am wondering if a chief minister of a state has the right in a democracy to give shrouded threats to Muslim men suspected to be indulging in ...

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As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

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The End of a New Beginning

Sandeep Goyal says that the one thing he has never understood about TikTok is – why does...

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Scent of Music: AR Rahman

Khalid Mohamed rewinds to one of his chatty conversations with the Mozart of Madras.

When...

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Nusrat Fateh Ali Khan: Genius replayed on a Mega-Monsoon Day in Mumbai

No reason, no occasion for a replay today except maybe the fact that it’s just another mega-monsoon day. ...

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Women Of Music

The multi-talented Purva Naresh, brings her knowledge of dance, music and drama into her productions. Her latest play Bandish 20-20,000Hz is the third of a trilog...

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