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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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Making Fraaandship with Nupur Asthana

Aparajita Krishna explores love, relationships, friendships, feminism and more in the interview with writer, director Nupur As...

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What Bollywood can learn from Hollywood

Monojit Lahiri does a hard close-up at the changing attitudes of Hollywood stars toward Indie films and proposes that Bollywoo...

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Paradisos Lost

With the ongoing pandemic, the future of the surviving single-screen cinema halls is under a question mark. Film historian, Dhruv Soman...

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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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Beckett and Apocalypse

Samuel Becket's Waiting For Godot has had several productions in Mumbai (Motley's being the most famous), but Endga...

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Cultural Entrepreneurship in India

India’s cultural heritage goes back over 5000 years even before the much discussed Indus Valley Civilization. Since the advent of recorded history there is enough evi...

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The General Sexism faced by the Hollywood Women since Ages

“Congratulations, you five ladies no longer have to pretend to be attracted to Harvey Weinstein", said comedian Seth MacFarlane in 2013, introducing the list of best-...

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Diane Kruger: ‘I’ve Always Earned Less Money Than Male Co-Stars For Hollywood Films’

Diane Kruger has never been earned the same pay as her male co-stars on American movies. The difference in salaries for actors and actresses in the industry has been addres...

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