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GENDER: THE LEGACY OF QUEER FILMS IN INDIA

From hidden subtexts to revolutionary narratives, Indian queer cinema chronicles a defiant evolution—resisting erasure, embracing complex...

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ALTERNATIVE ENTERTAINMENT: SHIKWA JAWAB-E-SHIKWA

François Truffaut’s Les Mistons provokes Gen Z discomfort and deepens the filmmaker's responsibility—raising timele...

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THOUGHT FACTORY: THE DEATH OF THE STORYTELLER

As censorship tightens and expression is choked, storytellers face an existential crisis. With creativity shackled by morality and control, is ...

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THOUGHT FACTORY: SUPERSTARS CAN'T SAVE FAILING FILMS

"Big budgets, bigger stars, and colossal failures—Indian cinema’s crisis lies not in its cast but in sidelined storytellers, as aud...

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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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BOLLYWOOD: BOLLYWOODS SHAKY AFFAIR WITH THE KISS?

The evolution of kissing in culture and Bollywood, cinematic awkwardness, and the challenges of capturing authentic intimacy. Monojit L...

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TRENDING: GAJRA KOTTARY’S STORYTELLING JOURNEY

Gajra Kottary, screenwriter and author, balances the demands of Indian television with profound novels and short stories, challenging social no...

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MOVIES: THE ORIGINAL GLAM DIVAS OF BOLLYWOOD

Both of them made relatively quiet debuts in the early ‘70s, Zeenat in OP Ralhan’s Hulchul (1971), and  Parveen in BR Ish...

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THOUGHT FACTORY: WHO’S BEEN SLEEPING IN MY BED??

Monojit Lahiri investigates how deep is deep in extra-marital journeys, in reel and real life.

TIGHTROPE WALK FOR JOURNALISTS IN THE MAINSTREAM

Here, taking off from a few discussions at the Orange City Literature Festival she attended, Vinta Nanda looks at ‘ethic...

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