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WHEN GRIEF BECOMES ART

Vinta Nanda speaks with Divya Jagdale about Brownie, her first short film, and how grief, art and survival can transf...

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BOLLYWOOD: MAALIK IS BLOOD, DUST, SWAGGER

Even Earnest Rajkummar Rao Can’t Fully Rescue This Formulaic Gangster Drama. Pulkit’s Maalik is a gritty,...

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The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

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The magical language of Gulzar

Juhi Saklani looks at the way filmmaker, poet, lyricist and writer Gulzar creates language and immortalizes his words by makin...

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Rajeshwari: Queen of her roles

Aparajita Krishna zooms in on Rajeshwari Sachdev of a delicate, petite frame, who has a very commanding acting presence and rules the little ki...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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CELEBRATE CINEMA 2019

Mumbai, September 23, 2019: Jubilance, enthusiasm and festive fervour prevailed over the last two days at Whistling Woods International (WWI), ...

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Father Of The Groom

Makrand Deshpande’s new play Pitaji Please—should count among his best so far—deals with parental anxiety caused by an offspr...

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Bhamla Foundation: Working for a Greater Cause

The World Environment Day is the UN's most important da...

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Grindmill Songs: Worlds Largest Archive Of Folk Songs

In the opening sequence of Gauri Shinde’s film English Vinglish, lyricist Swanand Kirkire’s opening verse in rustic Marathi is a breath of fresh air, given the ...

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