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101 CHEERS FOR INDIA’S REVERED GLOBAL ICON

Never in the annals of Indian film history has any single filmmaker, before or since, received such glowing tributes from the world’s leading luminaries regarding his...

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Satyajit Ray: The man who knew too much

In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Sh...

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Satyajit Ray: The man who knew too much

In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Sh...

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The Defiant Ones

Khalid Mohamed marvels at the bold and timeless writings of the iconic writers Ismat Chughtai and Saadat Hasan Manto, on the b...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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The Simran Magic

Khalid Mohamed zooms back in time to share his discussion with Kajol, on her imperishable performance as Simran, with Shah Ruk...

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The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

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What Bollywood can learn from Hollywood

Monojit Lahiri does a hard close-up at the changing attitudes of Hollywood stars toward Indie films and proposes that Bollywoo...

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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Disillusionment to anger: A tale of two Vijays

It’s the week of two ‘Vijays’, Guru Dutt and Amitabh Bachchan - the former is remembered on his death anniversary and the lat...

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