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FASHION ‘DRISHYAM’ of HINDI FILMS 1970s!

Aparajita Krishna tours the Hindi cinema fashion world of the 1970s and places it in context to the way we interpret fashion i...

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BOLLYWOOD’S TIMELESS MAJNU: YASH CHOPRA

On his 90th Birthday, last week, Monojit Lahiri pays tribute to the flamboyant and trail-blazing filmmaker for whom love, roma...

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MERE PAAS MAA - SORRY, MOM HAI!!

Has ‘Hey Mom’ replaced ‘Mataji’ in B-town? On Mother’s Day, Monojit Lahiri discusses t...

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Deepika, Madhuri, Alia, Vidya, Shefali – Women-centric films explode!

Will the recent whammos unleashed from these female big-hitters trigger more of the same? Monojit Lahiri attempts a checkout.&...

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Game Changer, Marketer, Entertainer, Interpreter: The Film Critic

Monojit Lahiri investigates through the incisive commentary of critics as well as filmmakers, what film reviews and film criti...

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Bansi Kaul: Rang Bansi!

He is the chronicler of the theatre of clowns, acrobats, painted faces and laughter, writes Aparajita Krishna

SMM AUSAJA: Keeper Of Our Cine-Heritage & Memorabilia

SMM AUSAJA, our man in the frame, deserves not just this mere article, but perhaps books on him writes Aparajita Krishna.

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Inside Dubai's Quest To Build The First Hyperloop

An ultra high-speed hyperloop—personal transportation pods whizzing through skyscrapers and sand dunes faster than an airplane—might soon become a reality here ...

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Woe Of The Girl Child

Director Madhureeta Anand’s Kajarya belongs in the horror genre. Not horror of the make-believe, fantasy kind but horror rooted in the reality of the times....

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True Review TV - New Hope, Old Hand

July has been somewhat satisfying for televiewing, barring a few glitches and peeves. Admittedly, I would doff my cap to Asit Modi, his team of writers and cast of Taarak M...

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