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Lenses, Women & Trauma

Cinema from Israel has been getting a lot more recognition globally – in terms of prestigious awards and academic courses revolving aroun...

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Whose Wedding Is It Anyway?

What is between recent popular Malayalam flicks and the wedding eve ceremonies in the bride’s house, asks...

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NO ONE KILLED PALAN

On the birth anniversary of legendary director Mrinal Sen, Shantanu Ray Chaudhuri Read More

ALL ABOUT MOTHERS: THE OLDEST LOVE STORY

In a conversation with writer and journalist Maithili Rao, Shantanu Ray Chaudhuri discusses the new anthology on motherhood sh...

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Pubali Chaudhuri: Mystery of the blank page!

Aparajita Krishna tells the Genie to grant writer Pubali Chaudhuri her personal wish; also the wish that she ‘conti...

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Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

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The films of Maya Deren

Between MacGuffin and Transference is the empty signifier that carries her film ‘Meshes of the Afternoon’ forward, writes D...

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Land of Unsuitable Women

We are witnessing in the state of Kerala today a spurt in unsuitable women - women who are undaunted naysayers, living or dead, writes ...

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A look at Janani's Juliet

Pankaj Rishi Kumar’s documentary film was India’s official entry to the Academy Awards. It tackles socio-political realities throug...

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Evening Shadows wins at Yatha Katha film festival

Sridhar Rangayan’s Gulabi Aaina and Evening Shadows to screen at Hyderabad Queer Film Festival

Sridhar Rangayan’s feature film Evening ...

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