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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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Radical and Revolutionary: Smruti Koppikar

In this interview with Vinta Nanda, Smruti Koppikar throws light on the way that journalism in India has chan...

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From Activism to Slacktivism

Amit Khanna writes that even as hundreds of millions wake up to a good morning message from friends and family, an equal if no...

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No Coincidence No Fiction: The Urban Mela

Ranjit Rodricks writes that the loot that’s taking place in broad daylight today, is just like a Mela in a faraway villa...

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Shaheen Bagh and the Idea of India

This necessary collection comprises interviews with some of the brave women at the core of the protest; ground reports and photographs by journ...

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Soundscaping with Bishwadeep Chatterjee

Vinta Nanda says, this is one of the most interesting interviews she’s done for The Daily Eye in so far. Welcome to the ...

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Media & Entertainment: Tomorrow is another day

Amit Khanna explains why COVID-19 is undeniably accelerating change in the way we live life and consume entertainment.

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Sycophancy: At the intersection of Art & Politics

Vinta Nanda writes about the mood in the country. She says that Bollywood and Indian Politics,...

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Politically Left Handed: Subhashini Ali

Vinta Nanda chats with Subhashini Ali about why after a long time and now in the times of COVID-19, when all other politics se...

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Of Optics and Opportunism

“We are not to empathise anymore with human pain if it inconveniences entrenched power structures and the politics of privilege. Ever...

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