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Movies

MOVIES: FAIRY TALE FALTERS IN AJOGYA

"Despite the charm of a fairy tale reference, Kaushik Ganguly's Ajogya struggles with a muddled narrative and underdeveloped characters, falling short of his acclaimed cine...

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Business and Politics

POLITICS: THE BJP’S NEW REALITY

In democracies with rich histories of coexisting diversities, the arrogance of leaders who perpetuate religious dominance and majoritarianism i...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: PHAS GAYA SYSYPHUS IS TRUE INDEPENDENT EXPRESSION

Saumesh Bangera’s cinema is a perfect manifestation of the phenomenon of democratisation of filmmaking since it got morphed into the digi...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: REVERSING ROLES IN CHAALCHITRA EKHON

‘Chaalchitra Ekhon’ serves as a reflective piece on the generational shift from Western-centric aspirations to a more introspective...

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Kaleidoscope

KALEIDOSCOPE: THE THIRD SKY IS AN ANTHOLOGY OF QUEER STORIES FROM ASSAM

A Fresh Perspective on Queer Studies in Assamese: ‘Tritiya Akash’. Utpal Datta introduces this unique anthology of...

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Gender

GENDER: A WIFE'S HILARIOUS TALE DURING IPL FEVER

Monojit Lahiri hilariously recounts the rollercoaster ride of being an IPL victim, with the husband as the culprit in this upr...

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Kaleidoscope

KALEIDOSCOPE: A TALE SET IN THE TIMES OF ANARCHY

With Kahini: A Story of Our Times, Om Books International’s recently published English translation of his 2008 Assamese novel by the same...

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Kaleidoscope

KALEIDOSCOPE: QUEER VOICES FROM THE PERIPHERY

Utpal Datta makes a sensitive attempt to hear the unheard ‘third voice’ and reviews Dr Kaustubh Padmapani’s ...

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Movies

MOVIES: RECOMMENDATIONS FOR A LAZY SUNDAY

The #newsdesk recommends films that are much talked about and rated high on the critics’ scale. It’s the weekend! Check them out ri...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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