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BOLLYWOOD: FROM STAGE TO SCREEN AND OTHER MEDIUMS

Monojit Lahiri explores the complexities, highlighting the nuanced distinctions and unique challenges actors face when moving ...

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ALTERNATIVE ENTERTAINMENT: PHAS GAYA SYSYPHUS IS TRUE INDEPENDENT EXPRESSION

Saumesh Bangera’s cinema is a perfect manifestation of the phenomenon of democratisation of filmmaking since it got morphed into the digi...

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AI & TECHNOLOGY: HOW (IN)HUMAN  IS AI!

Authoritarian governments have multiple tools at their disposal to control social media and suppress free speech, ranging from legal and regula...

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FESTIVALS: GRAND FINALE AT KASHISH PRIDE FILM FESTIVAL

Indian Trans and Non-Binary filmmakers, actors win big at 15th KASHISH Pride Film Festival. Indian films Night Queen, IYKYK won, along with Dea...

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ALTERNATIVE ENTERTAINMENT: REVERSING ROLES IN CHAALCHITRA EKHON

‘Chaalchitra Ekhon’ serves as a reflective piece on the generational shift from Western-centric aspirations to a more introspective...

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POLITICS: MISSING GIRLS AND HATE SPEECHES

After we are done celebrating mothers, daughters, women, take a moment to consider these shocking details about the missing women and girls in ...

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BOLLYWOOD: DO OUR FILM AWARDS GUARANTEE REWARDS?

Indian film awards don’t bestow any real commercial legitimacy or credentials for the recipients in terms of a brighter future? M...

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BOLLYWOOD: REMEMBERING MR CHARMER SHASHI KAPOOR

Monojit Lahiri figures out the several reasons behind Shashi Kapoors’ subsequent success across the sixties, seventies a...

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MOVIES: HERE’S WHAT RANJAN DAS RECOMMENDS

From Tarantino’s Inglourious Basterds, Kinatay & the Filipino Underbelly, to Justine Triet, Kieslowski and an American-Iranian, check...

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THOUGHT FACTORY: THE NSD AGENDA – SOUL–STRIP…OR DRAMABAZI?

Monojit Lahiri does an interview-based close-up of the contentious issue of training and investigates if it helped actors brea...

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