The overview effect is described as the phenomenon astronauts experience when looking back at the earth from space. It is described to inspire an enormous sense of awe at the infinitesimal nature of our planet and species; and brings on a feeling of spiritual unity with the universe and acknowledgement of the larger picture far more meaningful than a narrowed human perspective; a touch of divinity if you will. This phenomenon along with a sense of complete isolation and helplessness being completely vulnerable to the forces of space are the underlying themes of the film. A binary opposition, the black and white of the protagonist’s (played by Sandra Bullock) experience at a time of crisis and awakening; objective singularity versus cold, sterile science. Mention of George Clooney’s role in the film would lead to the revelation of spoilers, although his role as a supporting character must be acknowledged and validated.

Expecting to be enthralled by the narrative or the characters of this film would be doing injustice to it, experiencing it devoid of expectation would be advisable. The film has its depth and richness in the experience of it, preconceived notions and critical approaches will taint the experience. The idea with this style of cinema is for the viewer to lose himself in the beauty and details. The director Alfonso Cuarón has utilized stunning images often given metaphorical meaning which translate to exquisite expressions of cinematic language. For example Ryan, Sandra Bullock’s character floats in foetal position in the airlock chamber, absent of gravity. This is reminiscent of a baby floating in an embryo of a mother’s womb, a sole wire attached to her space suit the umbilical cord. Another powerful image is that of the protagonist crying in an escape vehicle. The tears float within the confines almost celestially, taking the breath of both the audience and the protagonist away. The subtle storytelling coupled the intricate score and sound effects bring the images to life like never seen before, resembling the experience of an opera or concerto.

Arguably irrelevant, the film does take license to bend the rules of science, as astrophysicist Neil deGrasse Tyson points out the scientific inaccuracies and fallacies in some of his tweets (warning: some contain spoilers). Apart from this the film is a visual treat. The creation of outer-space is remarkable and the experience compels you to synergize with the protagonist and experience the twists and turns of an outer space catastrophe. The experience feels all too real and you emerge from the theatre overwhelmed and pondering deep riddles and conundrums of the unknown.