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ALTERNATIVE ENTERTAINMENT: PHAS GAYA SYSYPHUS IS TRUE INDEPENDENT EXPRESSION

Saumesh Bangera’s cinema is a perfect manifestation of the phenomenon of democratisation of filmmaking since it got morphed into the digi...

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AI & TECHNOLOGY: HOW (IN)HUMAN  IS AI!

Authoritarian governments have multiple tools at their disposal to control social media and suppress free speech, ranging from legal and regula...

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FESTIVALS: NANAD BHABHI TAKE UP THE CHALLENGE SAYS ZAIKAK

Homemakerz has achieved a reasonable retail turnover every month, in Mumbai, Pune, Goa, and Gujarat, and the good thing is that their online sa...

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POLITICS: BURING FIRES, THREATNING GOONS

Humra  Quraishi calls out the BJP government for its apathy towards the raging fires in Uttarakhand as well as its threat...

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ALTERNATIVE ENTERTAINMENT: THE RIVER OF LIFE

OP Srivastava takes us on the banks of Gautam Ghose's film. Paar, crossing the river of life, is a story of human endurance, a...

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KALEIDOSCOPE: ANURAG ANAND - THE STORYTELLER ARTIST

‘I am a storyteller with art and writing as my mediums,’ says Anurag Anand, the artist who wears many hats, when Shantanu R...

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ALTERNATIVE ENTERTAINMENT: MAINSTREAM VS. ALTERNATIVE PERSPECTIVES

A comprehensive understanding of mainstream and alternative movements enrich discussions about the strengths and weaknesses of each. Sh...

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FESTIVALS: THE LOKHANDWALA STREET-CORNER START-UPS

Today, Siddharth Kak explores the by lanes of his neighbourhood to discover a variety of Indian food and snacks on offer by a ...

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BOLLYWOOD: ALL ABOUT REMAKES AND SEQUELS

As Bade Miyan Chhote Miyan and Love Sex Aur Dhokha 2 are set to release, with both films evoking titles of films made earlier, Shantanu...

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BOLLYWOOD: DO OUR FILM AWARDS GUARANTEE REWARDS?

Indian film awards don’t bestow any real commercial legitimacy or credentials for the recipients in terms of a brighter future? M...

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