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Thought Box
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Broken windows and promises
Humra Quraishi recalls her conversations with Abdul Ghani Lone, Maulana Abbas Ansari, Abdul Gani Bhat and Yasin Malik at separate instances with regard to dialogue and discuss...
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Best Photographs of 2021
Khalid Mohamed, inspired by a selection of the award-winning photos from National Sony World Photography 2021 competition, writes on the significance and evolution of image-ma...
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Gentleman Extraordinaire: Phani Majumdar
Rinki Roy Bhattacharya shares her experience of meeting Phani Majumdar, a filmmaker and man extraordinaire. I have no recollection why I went to meet the ve...
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Drishadvati: The daughter of Yayati
Read Janaky Sreedharan’s incisive view on Madhavi S Mahadevan’s Bride of the Forest Reshaping age-old Indian myths into delectable reading experiences has becom...
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Whose normal is it anyway?
Vandana Kumar goes around John Cassavettes’ ‘A Woman Under the Influence’ and discusses how Independent Cinema in Hollywood pushed boundaries by depicting al...
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Sign of the times: This is the darkest hour
Humra Quraishi revisits her conversations with Saira Banu and Khushwant Singh, both of whom had predicted that the times to come, which are here, will be darker than the...
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Such a long journey: Neena Gupta
Balaji Vittal introduces you to Sach Kahun Toh, theatre, film and television actor, and writer, producer and director Neena Gupta. Actor Neena Gupta passed out fr...
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The Hairdresser’s Husband: Too Much of a Good Thing?
Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s fetish and ends like a singular love story. In a world where there is n...
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Where there is no will, there is violence
Humra Quraishi talks about how polarisation in grassroots India, by the use of state machinery, is spreading violence and fear among minorities. Earlier this week a ...
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Three Colours: Red - A celluloid poem
Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts about it. After watching Krzt...
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