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CHEF VINITA GHATGE ON REINVENTION
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HAS SOCIAL MEDIA HIJACKED STARDOM?
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V. SHANTARAM: CINEMATIC LEGACY REMEMBERED
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UDTA TEER REVIEW: STAR CAST DISAPPOINTS
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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY
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(NOT) A FORGOTTEN FREEDOM FIGHTER OF GOA
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THE FIRST FILM: CINEMA, FREEDOM, DESIRE
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WHEN A SCOOTER BRINGS MOTHER BACK
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IRRFAN: THE ART OF UNDERSTATED ACTING
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MARG@80 CELEBRATES INDIA’S ARTISTIC HERITAGE
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Thought Box
SATYADEV DUBEY: THE MAD GENIUS
Playwright, director, actor, mentor, provocateur and iconoclast, Satyadev Dubey transformed Indian theatre through sheer force of personality, artistic rigour and uncompromisi...
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WHEN HOMECOMING ISN’T A ONE-WAY STREET
Saibal Chatterjee reviews Tribeny Rai's deeply personal and moving debut feature Shape of Momo, a nuanced exploration of womanhood, belonging, identity, and resistance within ...
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SHE WHO TOOK INDIAN CINEMA GLOBAL
Producer and global film strategist Gayathiri Guliani speaks to Vinta Nanda about Indian cinema’s international growth, the success of 3 Idiots in China, global distribu...
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STUDENT CITY PART 6
In Student City Part 6 Prof Dr Piyush Roy crafts a sharply observant and darkly humorous coming-of-age narrative exploring loneliness, identity, youth culture, friendship, emo...
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AN ACTOR PREPARES: ASEEM HATTANGADI
A multi-tasker, he is a theatre, film and web series actor. Son of the celebrated actor Rohini Hattangadi and the late theatre director Jayadev Hattangadi, he chose not to go ...
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CANNES 2026 REVIEW: ELEPHANTS IN THE FOG
CANNES 2026 REVIEW: ELEPHANTS IN THE FOG The Elephant in the Room – and Beyond: Saibal Chatterjee reviews Elephants in the Fog, Abinash Bikram Shah’s Cannes-selec...
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COCKROACH GENERATION CHALLENGES SILENCE
A viral digital movement inspired by a controversial judicial remark transformed into a youth-led expression of dissent, questioning power, democracy, media narratives, and th...
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STUDENT CITY PART 5
In Prof Dr Piyush Roy’s Student City Part 5, a volatile night at a Pune B-School disc changes friendships, loyalties and emotional equations forever, as jealousy, attrac...
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VYJAYANTHIMALA: ‘WHO REMEMBERS ME?’
Khalid Mohamed looks back in affection at the tumultuous life and unmatched acting career of Vyjayanthimala Bali, now aged 93, often justly described as ‘India’s f...
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THE SURPLUS ROOM CHRONICLES
Shrishti Shree revisits a disturbing chapter in Mumbai’s newspaper industry, where journalists were isolated, silenced, and psychologically cornered under the guise of e...
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