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WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI
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SUCHITRA SEN: THE STAR WHO CHOSE SILENCE
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REVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS
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POWERFUL PEOPLE: 55 YEARS ON, MERE APNE’S RELEVANCE
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KALEIDOSCOPE: LUCKNOW BETWEEN PAST AND NOW
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GENDER: CHAI AND LOVE MEET ON STAGE
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TRENDING: THE QUIET POWER OF COSTUMES
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RETROSCOPE: REMEMBERING RAY’S IMMORTAL…APU!
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YET ANOTHER STORY BESIDES PATHAAN
Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale. No, at the outset, let me tell you that I have...
Read MoreIS THE SLOGAN DYING?
Monojit Lahiri questions the relevance of slogans in today’s era, and wonders about its fate in the future. Once upon a time, slogans & advertising were truly the m...
Read MoreALL ABOUT FRIENDSHIP
Dr. Ajanta Dutt highlights the pathos of a friendship between two boys - an unusual story, Dostojee, filmed in the backdrop of the Babri Masjid mayhem. Dostojee, opened to an...
Read MoreWE ARE SISTERS BORN
Humra Quraishi recalls important conversations, she has had over the years with various people, twenty-one years after the Gujarat pogrom of 2002 The month of February ...
Read MoreCHINTOO SINGH WASIR: CENTERSTAGE AS SUFI SINGER & MUSICIAN
In the world of contemporary Indian music Chintoo Singh Wasir has emerged from being behind the instruments to centerstage with his Sufi music, writes Aparajita Krishna. He i...
Read MoreJAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM
Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and space, and reviews his film The Circle (2000). If th...
Read MoreWOMEN INTERRUPTED
Monojit Lahiri investigates what constitutes the attitude towards women in film industries across the world and why women film directors are not equal to the number of male di...
Read MoreI WENT TO HIS HOUSE AND SAW…
Humra Quraishi revisits an interview with Captain Lakshmi Sahgal, who questioned the mindless development that takes place in India. The questions she raised then remain unans...
Read MorePATHAAN: IS IT A CINEMATIC MASTERPIECE?
Sharad Raj discusses why the film PATHAAN is being celebrated across the country and SRK’s persona and politics. The economic parameters within which mainstream cinema ...
Read MoreABOUT BRINGING GURU DUTT TO BENGALI READERS
Satyabrata Ghosh shares the process it took to translate in Bengali the works of Nishikant Thakar and Arun Khopkar for Guru Dutt: Teen Onker Ek Shokantika. The end: It could ...
Read MoreSTAY ROOTED AND LET STORIES FIND YOU HOME
From Old Delhi memories to Mughal-era storytelling traditions, Paayal Nair’s perso...
January 24 2026WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI
A wide-ranging conversation on archives, cinema, and cultural consciousness, where inter...
January 23 2026SUCHITRA SEN: THE STAR WHO CHOSE SILENCE
On her 12th death anniversary, Monojit Lahiri recalls the mystique, magnetism and unmatc...
January 22 2026