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MAHARASHTRA’S ENDURING STATE THEATRE COMPETITION
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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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ANJUM RIZVI: FROM BEHIND THE SCENES!
Aparajita Krishna goes back to the past and fast forwards the producer Anjum Rizvi’s life in an interesting conversation with him. Anjum Rizvi is a film-producer of a s...
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BIG WOMEN IN SCIENCE
The pursuit of knowledge in STEM fields has often been and still is the realm of men, reports The Daily Eye Newsdesk Equal participation of women and girls in the leadership ...
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V DAY OR DIL TO PAGAL HAI DAY?
Monojit Lahiri checks out if the V Day is a way of looking at a celebration, or is it a cynical acceptance of a global phenomenon that falls prey to hollow and emotional postu...
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WE ARE NOT AT PEACE
Humra Quraishi discusses the position of the Urdu language in India, on International Mother Language Day – 21st February. My grasp over my mother tongue, Urdu, is weak...
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YET ANOTHER STORY BESIDES PATHAAN
Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale. No, at the outset, let me tell you that I have...
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IS THE SLOGAN DYING?
Monojit Lahiri questions the relevance of slogans in today’s era, and wonders about its fate in the future. Once upon a time, slogans & advertising were truly the m...
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ALL ABOUT FRIENDSHIP
Dr. Ajanta Dutt highlights the pathos of a friendship between two boys - an unusual story, Dostojee, filmed in the backdrop of the Babri Masjid mayhem. Dostojee, opened to an...
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WE ARE SISTERS BORN
Humra Quraishi recalls important conversations, she has had over the years with various people, twenty-one years after the Gujarat pogrom of 2002 The month of February ...
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CHINTOO SINGH WASIR: CENTERSTAGE AS SUFI SINGER & MUSICIAN
In the world of contemporary Indian music Chintoo Singh Wasir has emerged from being behind the instruments to centerstage with his Sufi music, writes Aparajita Krishna. He i...
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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM
Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and space, and reviews his film The Circle (2000). If th...
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