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THE FANTASTIC 27 DOWN BY AWTAR KRISHNA KAUL
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THE CURIOUS CASE OF BOLLYWOOD AND POLITICS
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A MAN EXTRAORDINAIRE: ARUNBHAI GANDHI
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KASHISH 2023 TO OPEN WITH ONIR’S PINE CONE
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FILM FESTIVALS MAKE SMALL FILMS BIG – UH-HUH!
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ATUL TIWARI: MAN OF MANY PARTS!
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ABOUT THE SONG OF SCORPIONS AND IRRFAN
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HOW CAN OLYMPIANS GIVE UP!
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RETURN TO INDIA
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KASHISH MUMBAI INTERNATIONAL QUEER FILM FESTIVAL OPEN TO REGISTRATION
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THE FANTASTIC 27 DOWN BY AWTAR KRISHNA KAUL
27 Down is a 1974 Hindi film written, directed and produced by Awtar Krishna Kaul starring Rakhee, MK Raina, Om Shivpuri and Rekha Sabnis, writes O.P. Srivastava ...
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ABOUT THE SONG OF SCORPIONS AND IRRFAN
Irrfan Khan’s only real home was cinema, says Anup Singh. The story of The Song of Scorpions emerged from flares and flickers of images in disturbing dreams. This was i...
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‘GOOD JOB NELIIMA!’
Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individualistic artist-woman. Neliima Azeem of beautiful ...
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SHYAM BENEGAL’S JUNOON & A FOUR HOUR TRIP TO THE MOVIES
Sharad Raj, a filmmaker, shares a funny memory that continues to make him laugh even today, about a trip, in Lucknow, to see the film Junoon, with his family. The year was 19...
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DEMOCRACY AND DISSENT
Taking off from Vinod Pande’s latest piece from his YouTube series, ‘Off the Cuff, in which he talks about Rahul Gandhi, Humra Quraishi’s commentary today is...
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TOLLYWOOD’S GIFTED ACTORS
Bengali cinema and filmmakers, though revered worldwide, still do not draw much attention within India. It may have to do something with the overwhelming popularity Bollywood ...
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YET ANOTHER STORY BESIDES PATHAAN
Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale. No, at the outset, let me tell you that I have...
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ALL ABOUT FRIENDSHIP
Dr. Ajanta Dutt highlights the pathos of a friendship between two boys - an unusual story, Dostojee, filmed in the backdrop of the Babri Masjid mayhem. Dostojee, opened to an...
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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM
Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and space, and reviews his film The Circle (2000). If th...
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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE
The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj “The fruit of experience is beauty,&rdquo...
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