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TWO POWERFUL THEATRE REFLECTIONS
Sohaila Kapur reflects on two compelling theatre experiences — the experimental student production Rashk and the timeless classic Love Letters — while sharing insi...
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ANANTH MAHADEVAN AGAINST THE ODDS
In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection, National Awards, artistic struggles, media negle...
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DR BHALERAO THEATRE LEGACY REMEMBERED
The Legacy Of Dr Bhalerao Lives On as Prof. Dr. Avinash Kolhe reflects on theatre, medicine, and institution-building, tracing a rich Marathi cultural history through memory, ...
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THROUGH AN EYE CURIOUSLY INTERVIEW
In this insightful conversation, interviewer Khalid Mohamed engages photographer Chirodeep Chaudhuri on visual storytelling, Bombay’s evolving landscape, photojournalism...
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THE REBEL WITHOUT A...PAUSE
Fearless. Disobedient. Rowdy. Bindaas. Playful. Rooted. Real. Sanjay Bhattacharya is a rare artist, forever ready to do a soul-strip and pull the trigger to fire off on his li...
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FILMMAKER PANKAJ BORA ON REALITY
“The reality is always richer than fiction” — says filmmaker Pankaj Bora to Utpal Datta. An intimate conversation on cinema, rural life, storytelling, and th...
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FILMMAKER PANKAJ BORA ON REALITY
“The reality is always richer than fiction” — says filmmaker Pankaj Bora to Utpal Datta. An intimate conversation on cinema, rural life, storytelling, and th...
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BHARATMATA BROUGHT BACK TO LIFE!
Bharatmata cinema hall returns to Mumbai’s Lalbaug, writes Avinash Kolhe, reviving single-screen legacy, Marathi cinema culture, and working-class nostalgia while highli...
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HUSAIN’S JOURNEY THROUGH HIS MUSES
That Search For A Muse: M.F. Husain’s Lifelong Quest for Inspiration: Khalid Mohamed writes on the little-known facts about the master artist M.F. Husain’s constan...
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ADAMYA REVIEW BY SAIBAL CHATTERJEE
Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterjee. Set in the Sunderbans, the political thriller follows...
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