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STUDENT CITY SEASON TWO BEGINS
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SHAMMI KAPOOR: BOLLYWOOD’S ETERNAL REBEL
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KASTOORI: CINEMA, DIGNITY AND SELF-RESPECT
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THE JUST: POLITICS, MORALITY, VIOLENCE
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BATWARA 1947 REVIEW: SHABANA AZMI
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SRIDEVI: BOLLYWOOD’S MOST MAGICAL SUPERSTAR
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WHY WOMEN MUST CLAIM VISIBILITY
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IAA LEADERSHIP AWARDS HONOUR ICONS
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MOTHERS, RESISTANCE AND COURAGE
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JJ SCHOOL’S FREEDOM ART REVEALED
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Alternative Entertainment
IDENTITY, EXILE, MEMORY AND DEATH
Devdutt Trivedi examines Pankaj Rishi Kumar’s To Die a Frenchman through phenomenology, absurdism and existentialism, exploring Mounissamy’s fractured French-India...
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MAX, MIN, MEOWZAKI: LOVE, LOSS AND A CAT
Saibal Chatterjee reviews Max, Min and Meowzaki, a warm, perceptive exploration of love, grief, family, friendship and healing, elevated by fine performances and a gentle cine...
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THIRTEEN DAYS WHEN HUMANITY HELD
At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history revisited, writes Vinta Nanda. It became a story ab...
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PINJAR REVIEW: FREEDOM BEYOND THE CAGE
Saibal Chatterjee reviews Rudrajit Roy's Pinjar, a deeply humane drama about freedom, identity, gender and survival, examining how invisible cages imprison lives across class,...
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THE JOY OF UNEXPECTED DISCOVERIES
At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaffirm faith in Indian cinema by privileging emotio...
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RAGHU RAI'S PHILOSOPHY OF SEEING
Utpal Datta reviews Raghu Rai: Hearing Through the Eyes, revealing the legendary photographer's creative philosophy, artistic integrity, visual storytelling, relationship with...
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THERE IS ALWAYS ROOM AT THE TABLE
As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroes, which emerges as a timely documentary tha...
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OF SHARED DESTINIES AND FRACTURED BONDS
Film critic Saibal Chatterjee reviews Pritha Chakraborty's Phera, a deeply moving father-son drama that explores home, memory, migration, and emotional estrangement with remar...
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I LIVE INSIDE THE VISUAL WORLD
Utpal Datta speaks with Sri Lankan filmmaker Nadie Wasalamudaliarachchi about her acclaimed debut feature Pantrum, visual storytelling, post-war memory, generational trauma, p...
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WHEN HOMECOMING ISN’T A ONE-WAY STREET
Saibal Chatterjee reviews Tribeny Rai's deeply personal and moving debut feature Shape of Momo, a nuanced exploration of womanhood, belonging, identity, and resistance within ...
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